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Photo of Marcos Suzano

Photo: TV Brasil / CC BY 3.0 br (source: Wikimedia Commons)

Marcos Suzano

マルコス・スザーノ / まるこす・すざーの

Percussionist from Brazil

January 1, 1963 (age 63) ・ Rio de Janeiro, Brazil

  • Rio de Janeiro
  • percussionist
  • musician

My Take

Marcos Suzano is the kind of musician I find quietly heroic. The story of a rock kid who saw a carnival bloco and gave his life to percussion is irresistibly romantic, and his collaborations with Gilberto Gil, Nando Reis and Titãs put him at the heart of modern Brazilian music. What moves me is that he became a force not by standing in the spotlight but by making everyone around him sound better. Mastery of the pandeiro and the deep rhythmic vocabulary of Brazil is craftsmanship of the highest order. I have enormous respect for artists who serve the song, and Suzano sounds like one of the finest.

Overview

Marcos Suzano (born August 14, 1963) is a Brazilian percussionist known for playing with Brazilian and international musicians, such as Gilberto Gil, Nando Reis, and Titãs. He was born in Rio de Janeiro. Originally a rock fan, he witnessed a carnival bloco and became passionate about percussion.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Marcos Suzano
Name (Japanese)
マルコス・スザーノ
Reading
まるこす・すざーの
Born
January 1, 1963 (age 63)
Zodiac / Chinese zodiac
Capricorn / Rabbit
Origin
Rio de Janeiro, Brazil
Blood type
Private
Height
Private
Agency
Private
Occupation
percussionist / musician

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Percussionist — see all → · Musician — see all → · More people from Brazil →

7. About this entry

Tags

  • Rio de Janeiro
  • percussionist
  • musician
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.