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Photo of Prachya Pinkaew

Photo: Curtis Winston / CC BY 2.5 (source: Wikimedia Commons)

Prachya Pinkaew

プラッチャヤー・ピンゲーオ / ぷらっちゃやー・ぴんげーお

Film director from Thailand

September 2, 1962 (age 63) ・ Nakhon Ratchasima, Thailand

  • Nakhon Ratchasima
  • film director
  • screenwriter
  • film producer

My Take

Prachya Pinkaew is, to me, a genuine revolutionary of action cinema. By casting an unknown Tony Jaa and building Ong-Bak and Tom-Yum-Goong around raw, wire-free, CGI-free Muay Thai, he reminded a Hollywood drunk on digital spectacle what the human body can actually do on screen. The single-take stairwell sequence in Tom-Yum-Goong still gives me chills. From Nakhon Ratchasima, he put Thai cinema firmly on the world map and proved that authenticity can hit harder than any effects budget. I have enormous respect for filmmakers who bet everything on physical craft, and he bet bigger than most.

Overview

Prachya Pinkaew (Thai: ปรัชญา ปิ่นแก้ว; RTGS: Pratya Pinkaeo; born September 2, 1962) is a Thai filmmaker. His films include Ong-Bak: Muay Thai Warrior and Tom-Yum-Goong, both martial arts films starring Tony Jaa.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Prachya Pinkaew
Name (Japanese)
プラッチャヤー・ピンゲーオ
Reading
ぷらっちゃやー・ぴんげーお
Born
September 2, 1962 (age 63)
Zodiac / Chinese zodiac
Virgo / Tiger
Origin
Nakhon Ratchasima, Thailand
Blood type
Private
Height
Private
Agency
Private
Occupation
film director / screenwriter / film producer

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Film director — see all → · Screenwriter — see all → · More people from Thailand →

7. About this entry

Tags

  • Nakhon Ratchasima
  • film director
  • screenwriter
  • film producer
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.