
Photo: jwalsh from Seattle / CC BY 2.0 (source: Wikimedia Commons)
My Take
Alva Noë is the rare philosopher I would actually want to argue with over coffee. An American educated at Oxford and now a professor at UC Berkeley, he works on perception and consciousness, pushing the enactivist idea that the mind is not trapped inside the skull but enacted through the whole body's engagement with the world. I admire how widely he ranges, from cognitive science to Wittgenstein to the theory of art, and that a Guggenheim Fellow chooses to wrestle with something as everyday as what it means to see. He brings hard questions back down to lived experience, and that gift earns my respect.
Overview
Alva Noë (; born 1964) is an American philosopher. He is Professor of Philosophy at the University of California, Berkeley. The focus of his work is the theory of perception and consciousness. In addition to these problems in cognitive science and the philosophy of mind, he is interested in analytic phenomenology, the theory of art, Ludwig Wittgenstein, enactivism, and the origins of analytic philosophy.
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Alva Noë
- Name (Japanese)
- アルヴァ・ノエ
- Reading
- あるゔぁ・のえ
- Born
- January 1, 1964 (age 62)
- Zodiac / Chinese zodiac
- Capricorn / Dragon
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- philosopher / university teacher
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- University of Oxford
Awards & achievements
- Guggenheim Fellowship
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
6. Links
Philosopher — see all → · University teacher — see all →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.