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Blair Underwood

ブレア・アンダーウッド / ぶれあ・あんだーうっど

American actor

August 25, 1964 (age 61) ・ Tacoma, Washington, United States

  • Washington
  • actor
  • television actor
  • film actor

My Take

Blair Underwood is one of those actors who has been quietly excellent for decades without ever getting quite the mainstream credit he deserves. I first got hooked on him through L.A. Law, where he played Jonathan Rollins with this effortless cool and real emotional intelligence — he was genuinely one of the best things in that show from 1987 to 1994. A Carnegie Mellon drama grad, so the craft is always there underneath the charisma. He's threaded through a lot of prestige TV since then — Sex and the City, Dirty Sexy Money, The Event, Quantico — never phoning it in, always elevating the material. On film he's shown real range across drama, thriller, and romance. Honestly, if there's justice in Hollywood, someone gives this guy a role that finally cracks him wide open to the audience he's long deserved.

Overview

Blair Erwin Underwood (born August 25, 1964) is an American actor. He made his debut in the 1985 musical film Krush Groove and from 1987 to 1994 starred as attorney Jonathan Rollins in the NBC legal drama series L.A. Law.

1. Profile

Name (English)
Blair Underwood
Name (Japanese)
ブレア・アンダーウッド
Reading
ぶれあ・あんだーうっど
Born
August 25, 1964 (age 61)
Zodiac / Chinese zodiac
Virgo / Dragon
Origin
Tacoma, Washington, United States
Blood type
Private
Height
Private
Agency
Private
Occupation
actor / television actor / film actor / voice actor / writer

2. Background

Elementary school
Private
Junior high
Private
High school
Petersburg High School
University
Carnegie Mellon University

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

7. About this entry

Tags

  • Washington
  • actor
  • television actor
  • film actor
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.