
Photo: Peabody Awards / CC BY-SA 3.0 (source: Wikimedia Commons)
My Take
Indya Moore made a real impression on me through Pose, where their Angel Evangelista gave the ballroom world a tenderness that mainstream television rarely affords. Beyond the acting, I admire that they've been so openly transgender and non-binary while doing serious advocacy work, which made the 2019 Time 100 recognition feel earned rather than tokenistic. There's a poise to their screen presence that pairs naturally with the modeling. What I value most is the sense that visibility here comes with substance and conviction, not just style. A performer who's expanded what stories get told, and I'm glad to see them recognized.
Overview
Indya Adrianna Moore (born January 17, 1995) is an American actor and model. They are known for playing the role of Angel Evangelista in the FX television series Pose. Time named them one of the 100 most influential people in the world in 2019. Moore is transgender and non-binary, and uses "they/them" and "she/her" pronouns.
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Indya Moore
- Name (Japanese)
- インディア・ムーア
- Reading
- いんでぃあ・むーあ
- Born
- January 17, 1995 (age 31)
- Zodiac / Chinese zodiac
- Capricorn / Boar
- Origin
- The Bronx, New York, United States
- Blood type
- Private
- Height
- 173 cm
- Agency
- Private
- Occupation
- actor / model / LGBTQ rights activist
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Private
Awards & achievements
- 2019 Time 100
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
6. Links
Actor — see all → · Model — see all → · More people from United States →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.