
Photo: Robert Hoernig / CC BY 3.0 (source: Wikimedia Commons)
My Take
Schreyer is the rare designer whose career reads like a redemption arc for an entire brand. Giving the Audi TT its playful curves would be a legacy in itself, but jumping to Kia and rebuilding a then-anonymous marque's visual identity from scratch, eventually being named one of its presidents, is the part that fascinates me. I love that his all-black uniform and Philippe Starck glasses aren't affectation but a consistent design philosophy applied to himself. He proves that great design is really about conviction, and his Bavarian roots plus a Royal College of Art polish make for a quietly compelling story.
Overview
Peter Schreyer (born 1953) is a German automobile designer widely known for his design contributions to the Audi TT. He was the chief design officer at Kia Motors from 2006–2018 and, on 28 December 2012, he was named one of three presidents of the company. Schreyer is known for wearing all-black clothing, black eyeglasses designed by Philippe Starck, and for his "competitive, inventive and analytic" nature.
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Peter Schreyer
- Name (Japanese)
- ペーター・シュライヤー
- Reading
- ぺーたー・しゅらいやー
- Born
- January 1, 1953 (age 73)
- Zodiac / Chinese zodiac
- Capricorn / Snake
- Origin
- Bad Reichenhall, Upper Bavaria, Germany
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- engineer / designer
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Royal College of Art
Awards & achievements
- German Design Award
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
6. Links
Engineer — see all → · Designer — see all → · More people from Germany →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.