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Photo of Wes Ball

Photo: Gage Skidmore from Peoria, AZ, United States of America / CC BY-SA 2.0 (source: Wikimedia Commons)

Wes Ball

ウェス・ボール / うぇす・ぼーる

American film director

October 28, 1980 (age 45) ・ United States

  • Born in the United States
  • Graphic designer
  • Film director
  • Graphic artist

My Take

Ball is a great example of the modern path from VFX artist to big-budget director, and you can see his visual-effects DNA in everything he makes. His short film Ruin was basically a calling card that screamed cinematic eye on a tiny budget, and Hollywood rightly handed him the Maze Runner films, which are slicker and more kinetic than YA dystopia usually gets. Then he stepped up to Kingdom of the Planet of the Apes and proved he could handle scale and motion-capture spectacle without losing the franchise's soul. He's a craftsman first, strong on world-building and momentum, and I'm curious where he goes next.

Overview

Wes Ball (born October 28, 1980) is an American film director, graphic designer and visual effects artist. He first drew attention with his self-produced short film Ruin, which led to him directing the Maze Runner film trilogy based on James Dashner's novels. He later directed Kingdom of the Planet of the Apes, the 2024 continuation of the rebooted Apes franchise.

1. Profile

Name (English)
Wes Ball
Name (Japanese)
ウェス・ボール
Reading
うぇす・ぼーる
Born
October 28, 1980 (age 45)
Zodiac / Chinese zodiac
Scorpio / Monkey
Origin
United States
Blood type
Private
Height
Private
Agency
Private
Occupation
Graphic designer / Film director / Graphic artist / Director

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Film director — see all → · More people from United States →

7. About this entry

Tags

  • Born in the United States
  • Graphic designer
  • Film director
  • Graphic artist
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.