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Photo of Apichatpong Weerasethakul

Photo: Thachan.makan / CC BY-SA 3.0 (source: Wikimedia Commons)

Apichatpong Weerasethakul

アピチャートポン・ウィーラセータクン / あぴちゃーとぽん・うぃーらせーたくん

Film director from Thailand

July 16, 1970 (age 56) ・ Bangkok, Thailand

  • film director
  • film producer
  • screenwriter

My Take

Apichatpong Weerasethakul is a filmmaker I admire for refusing every commercial shortcut. The Bangkok-born director won the Palme d'Or at Cannes for Uncle Boonmee Who Can Recall His Past Lives, and his work drifts dreamily between memory, myth and the waking world until your sense of time goes soft. He's also an installation artist, which makes him hard to categorize at all, working far outside the conventional studio system. Watching him, I get the feeling I've been led into a private universe rather than handed a plot. It's exactly this kind of uncompromising, boundary-blurring artist who pushes Asian cinema onto the world stage, and I respect him enormously for it.

1. Profile

Name (English)
Apichatpong Weerasethakul
Name (Japanese)
アピチャートポン・ウィーラセータクン
Reading
あぴちゃーとぽん・うぃーらせーたくん
Born
July 16, 1970 (age 56)
Zodiac / Chinese zodiac
Cancer / Dog
Origin
Bangkok, Thailand
Occupation
film director / film producer / screenwriter / installation artist / director

2. Background

University
Khon Kaen University

Awards & achievements

  • 2014 Yanghyun Prize
  • 2011 Officer of Arts and Letters
  • 2013 Fukuoka Asian Culture Prize
  • 2004 Jury Prize

4. Personality

Motto

Private

Frequently asked questions

When was Apichatpong Weerasethakul born?

Born July 16, 1970 (age 56).

Where is Apichatpong Weerasethakul from?

Apichatpong Weerasethakul is from Bangkok, Thailand.

What does Apichatpong Weerasethakul do?

Apichatpong Weerasethakul works as film director, film producer, screenwriter, installation artist, director.

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7. About this entry

Tags

  • film director
  • film producer
  • screenwriter
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public or unconfirmed items are omitted. English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.