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Photo of Jean-Louis Barrault

Photo: Carl Van Vechten / Public domain (source: Wikimedia Commons)

Jean-Louis Barrault

ジャン=ルイ・バロー / じゃん=るい・ばろー

Actor from France

September 8, 1910 – January 22, 1994 ・ Le Vésinet, Yvelines, France

  • Yvelines
  • actor
  • theatre director
  • mime artist

My Take

Jean-Louis Barrault is one of those figures I think deserves far more recognition outside France. His turn in Children of Paradise alone would secure his place in film history, but what impresses me more is his range across acting, directing and mime on both screen and stage. The mime work in particular speaks to a rare discipline, telling whole stories with the body. To me he embodies a kind of total theatre artist that feels almost extinct now. Living from 1910 to 1994, he bridged eras of French performance, and I suspect his stage legacy quietly outweighs even his celebrated film roles.

1. Profile

Name (English)
Jean-Louis Barrault
Name (Japanese)
ジャン=ルイ・バロー
Reading
じゃん=るい・ばろー
Born
September 8, 1910 – January 22, 1994
Zodiac / Chinese zodiac
Virgo / Dog
Origin
Le Vésinet, Yvelines, France
Occupation
actor / theatre director / mime artist / film director / stage actor

4. Personality

Motto

Private

5. Works & records

CategoryTitleRoleYear
Notable workBizarre, Bizarre
Notable workChildren of Paradise
Notable workL'enjeu de l'acteur (Hervé)

Frequently asked questions

When was Jean-Louis Barrault born?

September 8, 1910 – January 22, 1994.

Where is Jean-Louis Barrault from?

Jean-Louis Barrault is from Le Vésinet, Yvelines, France.

What does Jean-Louis Barrault do?

Jean-Louis Barrault works as actor, theatre director, mime artist, film director, stage actor.

What is Jean-Louis Barrault known for?

Notable works include Bizarre, Bizarre, Children of Paradise, L'enjeu de l'acteur (Hervé).

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7. About this entry

Tags

  • Yvelines
  • actor
  • theatre director
  • mime artist
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public or unconfirmed items are omitted. English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.