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Photo of Roberto Abbado

Photo: Miro Zagnoli / CC BY 4.0 (source: Wikimedia Commons)

Roberto Abbado

ロベルト・アバド / ろべると・あばど

Conductor from Italy

December 30, 1954 (age 71) ・ Milan, province of Milan, Italy

  • province of Milan
  • conductor

My Take

Roberto Abbado carries a famous surname in classical music, and to me the interesting thing is how he has built a distinct, durable career on his own terms rather than coasting on it. Conducting both opera and symphonic repertoire, his work with The Saint Paul Chamber Orchestra and his role as music director of the Festival Verdi in Parma speak to a musician trusted with serious institutional responsibility. Verdi in Parma is hallowed ground, and being entrusted with it is no small endorsement. I respect conductors who move fluidly between the pit and the concert hall, and his long, steady international presence suggests substance over spectacle.

Overview

Roberto Abbado (born 30 December 1954 in Milan) is an Italian opera and symphonic music conductor. Currently he is an Artistic Partner of The Saint Paul Chamber Orchestra. In 2015 he has been appointed music director of Palau de les Arts Reina Sofia in Valencia, Spain. From 2018 he's Music Director of the Festival Verdi in Parma.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Roberto Abbado
Name (Japanese)
ロベルト・アバド
Reading
ろべると・あばど
Born
December 30, 1954 (age 71)
Zodiac / Chinese zodiac
Capricorn / Horse
Origin
Milan, province of Milan, Italy
Blood type
Private
Height
Private
Agency
Private
Occupation
conductor

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Conductor — see all → · More people from Italy →

7. About this entry

Tags

  • province of Milan
  • conductor
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.