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Bill Frisell

ビル・フリゼール / びる・ふりぜーる

American composer

March 18, 1951 (age 75) ・ Baltimore, Maryland, United States

  • Maryland
  • composer
  • jazz guitarist
  • jazz musician

My Take

Bill Frisell is one of those guitarists who genuinely defies easy categorization, and I mean that as the highest compliment. He came up through Berklee and broke through on ECM Records in the 1980s, where his tone — that warm, slightly reverb-soaked, hovering-in-space sound — instantly set him apart from every other jazz guitarist around. What I love about Frisell is that he never stopped being curious: he's moved through jazz, Americana, country, classical, and experimental noise (his long run with John Zorn is evidence enough), yet every record sounds unmistakably like him. He's a chameleon who never loses himself. Decades in, he's still one of the most distinctive and quietly influential voices in American music.

Overview

William Richard Frisell ( fri-ZEL; born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn.

1. Profile

Name (English)
Bill Frisell
Name (Japanese)
ビル・フリゼール
Reading
びる・ふりぜーる
Born
March 18, 1951 (age 75)
Zodiac / Chinese zodiac
Pisces / Rabbit
Origin
Baltimore, Maryland, United States
Blood type
Private
Height
Private
Agency
Private
Occupation
composer / jazz guitarist / jazz musician / guitarist

2. Background

Elementary school
Private
Junior high
Private
High school
East High School
University
Berklee College of Music

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

7. About this entry

Tags

  • Maryland
  • composer
  • jazz guitarist
  • jazz musician
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.