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Photo of George Siegmann

Photo: Photoplay Magazine / Public domain (source: Wikimedia Commons)

George Siegmann

ジョージ・シーグマン / じょーじ・しーぐまん

American actor

February 8, 1882 – June 22, 1928 ・ New York City, New York, United States

  • New York
  • actor
  • film actor
  • film director

My Take

George Siegmann is exactly the kind of silent-era character actor I love. A New Yorker who turned up in The Birth of a Nation, Intolerance, The Three Musketeers, Oliver Twist, The Cat and the Canary, and The Man Who Laughs, he built menace and gravity out of pure expression in an age without dialogue. Dying at 46 in 1928 feels far too soon, yet he is still alive in those frames a century later, which is about the best an actor can hope for. Faces like his anchor a scene. He was a load-bearing pillar of early cinema, and I respect that deeply.

Overview

George A. Siegmann (also credited as George Seigmann; February 8, 1882 – June 22, 1928) was an American actor and film director in the silent film era. His work includes roles in notable productions such as The Birth of a Nation (1915), Intolerance (1916), The Three Musketeers (1921), Oliver Twist (1922), The Cat and the Canary (1927), and The Man Who Laughs (1928).

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
George Siegmann
Name (Japanese)
ジョージ・シーグマン
Reading
じょーじ・しーぐまん
Born
February 8, 1882 – June 22, 1928
Zodiac / Chinese zodiac
Aquarius / Horse
Origin
New York City, New York, United States
Blood type
Private
Height
Private
Agency
Private
Occupation
actor / film actor / film director

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Actor — see all → · Film actor — see all → · More people from United States →

7. About this entry

Tags

  • New York
  • actor
  • film actor
  • film director
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.