Katsuhiro Harada

Katsuhiro Harada is the kind of game producer you don't fully appreciate until you realize that Tekken has been a mainstay of arcades and living rooms for over three decades — and this guy has been steering that ship basically the whole time. Born in Minato, Tokyo in 1970, he's not your typical flashy industry face; he's more the craftsman who quietly ensures that every punch, kick, and rage-quit lands exactly as intended. What I find genuinely impressive is that he wears multiple hats — producer, director, writer — meaning his fingerprints are all over the creative DNA of the series, not just the business side. His X presence as the public voice of Tekken has always had this refreshing directness to it, like someone who actually loves the thing he's selling. There's a certain rare integrity in spending decades deepening one franchise rather than chasing whatever's trending, and for that alone I have a lot of respect for the man.

Katsuhiro Harada is a Japanese video game producer, director, computer scientist, and screenwriter born on June 10, 1970, in Minato, Tokyo. He is best known as the long-running producer and face of the Tekken fighting game franchise developed by Bandai Namco Entertainment. Active across multiple creative roles, he has been instrumental in shaping one of the most enduring series in fighting game history.

Name (English)

Katsuhiro Harada

Name (Japanese)

原田勝弘

Reading

はらだ かつひろ

Born

June 10, 1970 (age 56)

Zodiac / Chinese zodiac

Gemini / Dog (戌)

Origin

Minato, Tokyo, Japan

Occupation

Video game producer / Director / Computer scientist / Screenwriter

Motto

Private

• Xhttps://x.com/Harada_TEKKEN
• Wikipedia (Japanese)https://ja.wikipedia.org/wiki/%E5%8E%9F%E7%94%B0%E5%8B%9D%E5%BC%98%20(%E3%82%B2%E3%83%BC%E3%83%A0%E3%82%AF%E3%83%AA%E3%82%A8%E3%82%A4%E3%82%BF%E3%83%BC)

Tags

• From Tokyo
• Video game producer
• Director
• Computer scientist

Last updated

2026-06-02

Facts are limited to publicly available information up to 2024; non-public or unconfirmed items are omitted. English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.