
Photo: Bollywood Hungama / CC BY 3.0 (source: Wikimedia Commons)
My Take
Meghna Gulzar fascinates me because she inherited extraordinary lineage, daughter of the legendary poet-filmmaker Gulzar and actress Raakhee, yet refused to coast on it. With Talvar, Raazi, and Chhapaak, she has built a body of work that confronts social injustice and women's pain head-on, standing apart from Bollywood's usual gloss. I admire that she earned her craft the hard way, assisting her father and writing before directing on her own terms. In an industry where female directors still fight for space, her steady, substantive voice strikes me as genuinely important and worth championing.
Overview
Meghna Gulzar is an Indian writer, director and producer. She is best known for directing critically acclaimed films; Talvar (2015) and Raazi (2018). Born to Gulzar and actress Raakhee, Gulzar joined her father as an assistant to his films and became a screenwriter for her father's 1999 directorial Hu Tu Tu. Meghna later became an independent director and directed her first film, the drama Filhaal...
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Meghna Gulzar
- Name (Japanese)
- メグナー・グルザール
- Reading
- めぐなー・ぐるざーる
- Born
- December 13, 1973 (age 52)
- Zodiac / Chinese zodiac
- Sagittarius / Ox
- Origin
- Mumbai, Bombay State, India
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- film director / screenwriter
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Private
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
5. Works & records
| Category | Title | Role | Year |
|---|---|---|---|
| Notable work | Talvar | — | |
| Notable work | Raazi | — | |
| Notable work | Chhapaak | — |
6. Links
Film director — see all → · Screenwriter — see all → · More people from India →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.