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Photo of Panagiotis Kokoras

Photo: Pkokoras / CC BY-SA 3.0 (source: Wikimedia Commons)

Panagiotis Kokoras

パナヨティス・ココラス / ぱなよてぃす・ここらす

Composer from Greece

April 23, 1974 (age 52) ・ Ptolemaida, Kozani Regional Unit, Greece

  • Kozani Regional Unit
  • composer

My Take

Panayiotis Kokoras is the sort of artist I admire even when I struggle to follow him. A Greek composer and computer-music innovator from Ptolemaida, he treats timbre itself as the architecture of a piece, and his idea of holophony, where every single sound contributes equally to the whole, is genuinely thrilling to me. A York-trained mind crowned with a 2022 Guggenheim Fellowship, he builds entire worlds from texture rather than melody. It is uncompromising, demanding music, and I deeply respect the kind of restless explorer who pushes the art form somewhere new.

Overview

Panayiotis Kokoras (Greek: Παναγιώτης Κόκορας; born 1974, Ptolemaida) is a Greek composer and computer music innovator. Kokoras's sound compositions use timbre as the main element of form. His concept of "holophony" describes his goal that each independent sound (φωνή), contributes equally into the synthesis of the total (ὅλος).

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Panagiotis Kokoras
Name (Japanese)
パナヨティス・ココラス
Reading
ぱなよてぃす・ここらす
Born
April 23, 1974 (age 52)
Zodiac / Chinese zodiac
Taurus / Tiger
Origin
Ptolemaida, Kozani Regional Unit, Greece
Blood type
Private
Height
Private
Agency
Private
Occupation
composer

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
University of York

Awards & achievements

  • 2022 Guggenheim Fellowship

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Composer — see all → · More people from Greece →

7. About this entry

Tags

  • Kozani Regional Unit
  • composer
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.