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Takeo Ishii

石井健雄 / いしい たけお

Japanese musician and singer born in 1947

May 3, 1947 (age 79) ・ Tokyo, Japan

  • From Tokyo
  • Musician
  • Singer

My Take

Born in Tokyo in 1947, Takeo Ishii came of age right in the thick of one of Japan's most electric musical eras — the stretch when jazz and rockabilly gave way to Group Sounds and homegrown rock, and the whole country seemed to be reaching for something new. That context alone makes him interesting to me, because whatever he was doing with music, he was breathing that exact air. The thing is, the public record on him is almost suspiciously thin: no confirmed discography, no listed works, no agency on file. For most people that'd be a dead end, but I find myself oddly drawn in. There's a type of Tokyo musician from that Showa generation — quietly serious, never chasing the spotlight — and I'd bet Ishii fits that mold perfectly. A Taurus born in the Year of the Boar: stubborn, deliberate, built to outlast the noise.

Overview

Takeo Ishii is a Japanese musician and singer born on May 3, 1947, in Tokyo. He came of age during a transformative era for Japanese popular music, spanning the shift from postwar jazz and rockabilly to the group sounds movement of the 1960s. Details about his career history, agency affiliation, and personal life are not publicly available.

1. Profile

Name (English)
Takeo Ishii
Name (Japanese)
石井健雄
Reading
いしい たけお
Born
May 3, 1947 (age 79)
Zodiac / Chinese zodiac
Taurus / Boar (亥)
Origin
Tokyo, Japan
Blood type
Private
Height
Private
Agency
Private
Active years
Unknown
Occupation
Musician / Singer

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private
Debut
Unknown

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

7. About this entry

Tags

  • From Tokyo
  • Musician
  • Singer
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.