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Photo of Wilm Weppelmann

Photo: Benutzer:Meschede / CC BY-SA 3.0 (source: Wikimedia Commons)

Wilm Weppelmann

ヴィルム・ヴェッペルマン / ゔぃるむ・ゔぇっぺるまん

Photographer from Germany

April 17, 1957 – November 5, 2021 ・ Lüdinghausen, North Rhine-Westphalia, Germany

  • North Rhine-Westphalia
  • photographer

My Take

Weppelmann intrigues me precisely because he resists a tidy label. Photographer, conceptual artist, garden artist, writer; the Münster-based German worked across forms while circling one heavy theme, the boundaries of human existence. Solo shows at the Town Museum Münster and the Museum for Sepulchral Culture in Kassel tell me he stared straight at mortality rather than decorating around it. I value artists who treat the unanswerable as a lifelong assignment instead of a marketable gimmick. He died in 2021, but work rooted in life's edges tends to outlast its maker, and I suspect his will.

Overview

Wilm Weppelmann (17 April 1957 – 5 November 2021) was a German artist, conceptual artist, garden artist, photographer and writer based in Münster Germany, with extensive solo exhibitions (Town Museum Münster, Museum for Sepulchral Culture Kassel, etc.) concerning the boundaries of human existence.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Wilm Weppelmann
Name (Japanese)
ヴィルム・ヴェッペルマン
Reading
ゔぃるむ・ゔぇっぺるまん
Born
April 17, 1957 – November 5, 2021
Zodiac / Chinese zodiac
Aries / Rooster
Origin
Lüdinghausen, North Rhine-Westphalia, Germany
Blood type
Private
Height
Private
Agency
Private
Occupation
photographer

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Photographer — see all → · More people from Germany →

7. About this entry

Tags

  • North Rhine-Westphalia
  • photographer
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.