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Photo of Jesper Kyd

Photo: Miguel Mendez / CC BY 2.0 (source: Wikimedia Commons)

Jesper Kyd

イェスパー・キッド / いぇすぱー・きっど

Composer from Denmark

February 3, 1972 (age 54) ・ Hørsholm, Denmark

  • composer

My Take

Jesper Kyd is, to me, one of the strongest arguments that game composers belong in the same conversation as film greats. His scores for Hitman and Assassin's Creed do not decorate a scene, they define its emotional temperature, blending icy electronics with almost sacred choral textures into a sound you can identify within seconds. What impresses me most is consistency at scale: across dozens of franchises, from Borderlands to Darksiders, the craftsmanship never thins out. The Danish quietness in his music feels deliberate, leaving space for tension to breathe. I find his work genuinely artful, the kind that outlives the games it was written for.

Overview

Jesper Kyd Jakobson (; Danish: Jesper Kyd Jakobson [ˈjespɐ ˈkʰyt ˈjɑkʰʌpsʌn]; born 3 February 1972) is a Danish composer and sound designer who has worked on various video game, television, and film projects. He has composed soundtracks for the Hitman series, Assassin's Creed series, Borderlands series, Darksiders II, Freedom Fighters, and State of Decay, among many others.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Jesper Kyd
Name (Japanese)
イェスパー・キッド
Reading
いぇすぱー・きっど
Born
February 3, 1972 (age 54)
Zodiac / Chinese zodiac
Aquarius / Rat
Origin
Hørsholm, Denmark
Blood type
Private
Height
Private
Agency
Private
Occupation
composer

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Composer — see all → · More people from Denmark →

7. About this entry

Tags

  • composer
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.