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Photo of Marie Spartali Stillman

Photo: Julia Margaret Cameron / Public domain (source: Wikimedia Commons)

Marie Spartali Stillman

マリー・スパルタリ・スティルマン / まりー・すぱるたり・すてぃるまん

Painter from United Kingdom

March 10, 1844 – March 6, 1927 ・ London, United Kingdom

  • painter
  • model

My Take

Marie Spartali Stillman fascinates me because she refused to stay on the canvas. Born in London in 1844 to a Greek family, she began as a Pre-Raphaelite model but became one of the movement's finest painters, often called the greatest woman artist of that circle. In an era when female artists were rarely taken seriously, she sustained a long career, with works like Love's Messenger glowing with that dreamlike Pre-Raphaelite beauty. Living to 1927, she kept creating across decades. I find her quiet persistence deeply moving, a reminder of how many overlooked women shaped art history.

Overview

Marie Stillman (née Spartali; Greek: Μαρία Σπαρτάλη; 10 March 1844 – 6 March 1927) was a British painter. A member of the second generation of the Pre-Raphaelite Brotherhood, she is regarded as the greatest female artist of that movement.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Marie Spartali Stillman
Name (Japanese)
マリー・スパルタリ・スティルマン
Reading
まりー・すぱるたり・すてぃるまん
Born
March 10, 1844 – March 6, 1927
Zodiac / Chinese zodiac
Pisces / Dragon
Origin
London, United Kingdom
Blood type
Private
Height
Private
Agency
Private
Occupation
painter / model

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

5. Works & records

CategoryTitleRoleYear
Notable workLove's Messenger

Painter — see all → · Model — see all → · More people from United Kingdom →

7. About this entry

Tags

  • painter
  • model
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.