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Michael Amott

マイケル・アモット / まいける・あもっと

American guitarist

July 28, 1970 (age 55) ・ Halmstad, Halland County, Sweden

  • Halland County
  • guitarist
  • composer

My Take

Michael Amott is one of those guitarists who quietly became essential to an entire era of extreme metal without ever getting the mainstream credit he deserves. Growing up in Halmstad, Sweden, he was already tearing through death metal with Carnage and Carcass before most people his age had figured out a clean chord, and then he went ahead and co-founded Arch Enemy — a band that basically redefined melodic death metal for the next two decades. What I love about his playing is how he marries sheer aggression with genuine melody; those twin-guitar harmonies on albums like Wages of Sin or Doomsday Machine hit you hard and then stick with you. Guitar World ranking him among the 100 greatest heavy metal guitarists of all time feels like an understatement to me.

Overview

Michael Amott (born 28 July 1969) is a Swedish guitarist, founding member of the metal bands Arch Enemy, Spiritual Beggars and Carnage, as well as a former member of Carcass. He is the older brother of Christopher Amott. Amott was ranked No. 74 out of 100 Greatest Heavy Metal Guitarists of All Time by Guitar World.

1. Profile

Name (English)
Michael Amott
Name (Japanese)
マイケル・アモット
Reading
まいける・あもっと
Born
July 28, 1970 (age 55)
Zodiac / Chinese zodiac
Leo / Dog
Origin
Halmstad, Halland County, Sweden
Blood type
Private
Height
Private
Agency
Private
Occupation
guitarist / composer

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

7. About this entry

Tags

  • Halland County
  • guitarist
  • composer
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.