Shuichi Chino

Shuichi Chino is the kind of musician who quietly holds everything together while others take the spotlight. Born in 1951 and Waseda-educated, he covers composer, arranger, and keyboardist duties all at once — which tells you he thinks about music structurally, not just melodically. That's rare. Most people pick a lane; he built the whole road. He came up through an era when Japanese pop and film music were genuinely adventurous, and I get the sense he was one of those indispensable backstage architects who shaped sounds you've heard a thousand times without ever knowing his name. That's a specific kind of career — less fame, more craft — and honestly, I respect it more than the front-of-stage version.

This take was written by generative AI, one per person, from publicly reported facts (editorial policy). It is a reading of the record, not reporting.

Shuichi Chino is a Japanese composer, arranger, and keyboardist born on November 1, 1951. He is a Scorpio and studied at Waseda University. Active as a keyboardist and arranger since 1970, he became a member of the Down Town Boogie Woogie Band in the 1970s, scored films with Ryudo Uzaki from the late 1970s, later turned to improvisation and computer music, and has lived in Berlin since 2008.

Name (English)

Shuichi Chino

Name (Japanese)

千野秀一

Reading

ちの しゅういち

Born

November 1, 1951 (age 74)

Origin

Japan

Occupation

Composer / Arranger / Keyboardist

Zodiac / Chinese zodiac

Scorpio / Rabbit

University

Waseda University

• Wikipedia (Japanese)https://ja.wikipedia.org/wiki/%E5%8D%83%E9%87%8E%E7%A7%80%E4%B8%80
• Wikidatahttps://www.wikidata.org/wiki/Q22130300

Tags

• Composer
• Arranger
• Keyboardist

Last updated

October 18, 2026

Only publicly available facts are listed; non-public or unconfirmed items are omitted. Base data was compiled from Wikidata from June 2026 onward; ages are recalculated daily and deaths are checked against Wikidata on an ongoing basis. English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.