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Sumiko Mizukubo

水久保澄子 / みずくぼ すみこ

Japanese actor of the Taisho and Showa era

October 10, 1916 (age 109) ・ Tokyo, Japan

  • from Tokyo
  • actor

My Take

Sumiko Mizukubo was born in Tokyo in 1916, right in the thick of the Taisho era, and that alone makes my head spin a little. This is someone who came of age when cinema was still young and silent, when a performer's entire world was the stage or a single flickering reel — no YouTube clips, no streaming replays, just the moment itself and whatever impression you left on the people in that room. I don't know her filmography well enough to cite specific titles with confidence, but there's something that pulls at me about actors from that generation: they had to carry everything in their body and their presence, no retakes to fall back on, no algorithm to give them a second life. A Tokyo-born actress with Libra's poise and the Dragon's stubborn drive — I like to think she had exactly that kind of quiet authority, the sort that didn't need to announce itself.

Overview

Sumiko Mizukubo was a Japanese actor born on October 10, 1916, in Tokyo, Japan. She was active during an era that spanned the late Taisho and Showa periods, a formative time for Japanese film and stage performance. Detailed records of her works, debut, and career arc are not publicly documented in available sources.

1. Profile

Name (English)
Sumiko Mizukubo
Name (Japanese)
水久保澄子
Reading
みずくぼ すみこ
Born
October 10, 1916 (age 109)
Zodiac / Chinese zodiac
Libra / Dragon (辰)
Origin
Tokyo, Japan
Blood type
Private
Height
Private
Agency
Private
Active years
Unknown
Occupation
Actor

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private
Debut
Unknown

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

7. About this entry

Tags

  • from Tokyo
  • actor
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.