
Photo: Annemarie Heinrich / Public domain (source: Wikimedia Commons)
My Take
Alberto Ginastera is the Argentine composer I reach for when I want classical music with real soil under it. His early work pulses with malambo rhythms and pampas color, then he pushed into thornier, more modernist territory, and that arc fascinates me. The Harp Concerto is the gateway piece, but his operas and the Estancia ballet are where the fire lives. He taught Piazzolla, which alone secures his place in the lineage. The data says American; he was Buenos Aires born, 1916 to 1983. One of the twentieth century's essential voices from the Americas, and criminally under-programmed outside specialist circles.
Overview
Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinaˈsteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas.
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Alberto Ginastera
- Name (Japanese)
- アルベルト・ヒナステラ
- Reading
- あるべると・ひなすてら
- Born
- April 11, 1916 – June 25, 1983
- Zodiac / Chinese zodiac
- Aries / Dragon
- Origin
- Buenos Aires, Argentina
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- composer / musicologist / film score composer / librettist
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Private
Awards & achievements
- 1942 Guggenheim Fellowship
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
5. Works & records
| Category | Title | Role | Year |
|---|---|---|---|
| Notable work | Harp Concerto | — |
6. Links
Composer — see all → · Musicologist — see all → · More people from Argentina →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.