My Take
Aoi Kizuki is one of those figures where the details are sparse but the outline alone tells you something interesting. Born in Katsushika — old Tokyo, working-class shitamachi energy — in 1989, and she chose pro wrestling. Not a sport famous for gentle career paths. What gets me is the name: "Aoi" is soft, almost dreamy, the kind of name you'd expect on a watercolor artist, and then you picture her in a ring throwing herself around under harsh lights and it just clicks in the best way. Professional wrestling demands both genuine athleticism and a performer's instinct for reading a crowd, and I think there's something very Tokyo about that combination — the craft, the showmanship, the refusal to be boring. I don't know her full story, and I'll be straight about that, but anyone who makes a career out of pro wrestling has a stubbornness and a love for the work that I find genuinely admirable. A Katsushika kid who fights for a living — that's a story I want to know more of.
Overview
Aoi Kizuki is a Japanese professional wrestler born on March 26, 1989, in Katsushika, Tokyo. She is known by the English name Aoi Kizuki and is active on X (formerly Twitter) under the handle @aoi_kizuki. Most details about her career and personal life have not been made public.
1. Profile
- Name (English)
- Aoi Kizuki
- Name (Japanese)
- 希月あおい
- Reading
- きづき あおい
- Born
- March 26, 1989 (age 37)
- Zodiac / Chinese zodiac
- Aries / Snake (Mi)
- Origin
- Katsushika, Tokyo, Japan
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Active years
- Unknown
- Occupation
- Professional Wrestler
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Private
- Debut
- Unknown
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
6. Links
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.