
Photo: John Manard / CC BY-SA 4.0 (source: Wikimedia Commons)
My Take
Gates McFadden will always be Dr. Beverly Crusher to me, and that's a compliment to how fully she inhabited the role across The Next Generation, four films, Picard, and Prodigy. What I didn't fully appreciate until reading about her is the dual career: she's credited as Cheryl McFadden when she works as a choreographer, a discipline she trained in seriously after Brandeis. That blend of movement expertise and acting gives her performances a physical thoughtfulness. There's something admirable about an Ohio-born artist who refused to be only one thing, quietly building a body of work behind the camera as well as in front of it.
Overview
Cheryl Gates McFadden (born March 2, 1949) is an American actress and choreographer. She is usually credited as Cheryl McFadden when working as a choreographer and Gates McFadden when working as an actress. She played Dr. Beverly Crusher in the television series Star Trek: The Next Generation, its four subsequent films, the sequel series Star Trek: Picard, and Star Trek: Prodigy.
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Gates McFadden
- Name (Japanese)
- ゲイツ・マクファーデン
- Reading
- げいつ・まくふぁーでん
- Born
- March 2, 1949 (age 77)
- Zodiac / Chinese zodiac
- Pisces / Ox
- Origin
- Akron, Ohio, United States
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- television actor / film actor / actor / choreographer / camera operator
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Brandeis University
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
6. Links
Television actor — see all → · Film actor — see all → · More people from United States →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.