
Photo: NBC Television-photo by Ethel Kirsner, NBC Press / Public domain (source: Wikimedia Commons)
My Take
Gummo Marx fascinates me precisely because he was the brother who left the spotlight. Drafted in 1918 and replaced on stage by Zeppo, he then built a quieter life as a theatrical agent and businessman, the steady hand behind a family of comic legends. I find that arc more compelling than another round of applause. There is a particular dignity in being the one who works the wings, who manages and supports rather than performs. The Marx name belongs to the stage, but Gummo reminds me that every great act needs someone backstage holding it together, and that role deserves its own quiet respect.
Overview
Milton "Gummo" Marx (October 23, 1892 – April 21, 1977) was an American vaudeville performer, theatrical agent and businessman. He was the fourth-born of the five Marx Brothers. Born in Manhattan, he worked with his brothers on the vaudeville circuit, leaving the act when he was drafted into the US Army in 1918 during World War I and replaced by his brother Zeppo.
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Gummo Marx
- Name (Japanese)
- ガンモ・マルクス
- Reading
- がんも・まるくす
- Born
- October 23, 1893 – April 21, 1977
- Zodiac / Chinese zodiac
- Libra / Snake
- Origin
- Manhattan, New York, United States
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- comedian / stage actor / businessperson / actor / talent manager
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Private
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
6. Links
Comedian — see all → · Stage actor — see all → · More people from United States →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.