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Photo of Hong Kyung-pyo

Photo: KAFA / CC BY 3.0 (source: Wikimedia Commons)

Hong Kyung-pyo

ホン・ギョンピョ / ほん・ぎょんぴょ

Cinematographer

August 11, 1962 (age 63)

  • cinematographer

My Take

Cinematographers rarely get their due, which is why Hong Kyung-pyo fascinates me. If you have felt the suffocating dread of The Wailing or the cold beauty of Burning and Parasite, you have already been moved by his eye without knowing his name. To me he is proof that a film's soul often lives behind the camera, not in front of it. Winning the Baeksang Grand Prize in 2025 as the first cinematographer to do so feels less like a surprise and more like overdue justice. I find his work quietly authoritative, and I think his name belongs in any serious conversation about modern Korean cinema.

Overview

Hong Kyung-pyo (Korean: 홍경표, born August 11, 1962), also known as Alex Hong, is a South Korean cinematographer. In 2025, he became the first cinematographer to win the Grand Prize for Film at the 61st Baeksang Arts Awards for his work in Harbin. His most known films are Bong Joon Ho's Parasite and Lee Chang-dong's Burning.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Hong Kyung-pyo
Name (Japanese)
ホン・ギョンピョ
Reading
ほん・ぎょんぴょ
Born
August 11, 1962 (age 63)
Zodiac / Chinese zodiac
Leo / Tiger
Blood type
Private
Height
Private
Agency
Private
Occupation
cinematographer

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

Awards & achievements

  • 2016 Sitges Film Festival Best cinematography

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

5. Works & records

CategoryTitleRoleYear
Notable workThe Wailing
Notable workHarbin

Cinematographer — see all →

7. About this entry

Tags

  • cinematographer
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.