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Photo of Hou Yong

Photo: Dick Thomas Johnson from Tokyo, Japan / CC BY 2.0 (source: Wikimedia Commons)

Hou Yong

侯咏 / ほう・よん

Cinematographer

September 26, 1960 (age 65)

  • cinematographer
  • film director
  • screenwriter

My Take

Hou Yong is a name any serious fan of Chinese cinema should know. As a cinematographer he helped shape the lush, saturated visual language audiences associate with Zhang Yimou, and that alone earns my respect. But what truly impresses me is his refusal to stay behind the camera, stepping up to direct Jasmine Women with Zhang Ziyi in 2004. Moving from capturing a director's vision to owning one is a rare and risky leap. The fact that he collaborated with so many of China's major directors tells me how deeply he was trusted on set. A craftsman of light, and one I genuinely admire.

Overview

Hou Yong (Chinese: 侯咏; born 1960) is a Chinese filmmaker and cinematographer. He is perhaps best known for his collaboration with director Zhang Yimou, though he has worked with many of China's major directors. Like some of Zhang's other cinematographers (notably Lü Yue, whom Hou replaced), Hou has also moved into the directing world. In 2004, he directed Jasmine Women starring Zhang Ziyi.

Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.

1. Profile

Name (English)
Hou Yong
Name (Japanese)
侯咏
Reading
ほう・よん
Born
September 26, 1960 (age 65)
Zodiac / Chinese zodiac
Libra / Rat
Blood type
Private
Height
Private
Agency
Private
Occupation
cinematographer / film director / screenwriter

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Private

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

Cinematographer — see all → · Film director — see all →

7. About this entry

Tags

  • cinematographer
  • film director
  • screenwriter
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.