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Ryō Ikebe

池部良 / いけべ りょう

Refined leading man of Japanese golden-age cinema

February 11, 1918 – October 8, 2010 ・ Omori, Tokyo, Japan

  • From Tokyo
  • Actor

My Take

Honestly, Ryō Ikebe is one of those faces I find myself missing even though I came to him late. Born in Tokyo back in 1918 and a Rikkyo University man, he carries that unmistakable air of an educated, well-bred gentleman, and it shows in every frame. He's a leading man from the golden age of Japanese cinema, that pre-and-postwar stretch when the studios were really cooking, and what gets me is how restrained he is. No scenery-chewing, no theatrics, just a soft-spoken handsomeness with a quiet steel underneath. He'd anchor a scene with a lowered glance and an even voice and somehow own it. There's an old-world sex appeal to actors like him that modern screens rarely have. He lived to 92, dignified to the end, and I just think he was a class act from a classier era.

Overview

Ryō Ikebe (February 11, 1918 – October 8, 2010) was a Japanese film actor born in Omori, Tokyo. A graduate of Rikkyo University, he became one of the most prominent leading men of Japanese cinema during the prewar and postwar golden era. Known for his refined, understated screen presence, he remained active through much of the Showa period and lived to the age of 92.

1. Profile

Name (English)
Ryō Ikebe
Name (Japanese)
池部良
Reading
いけべ りょう
Born
February 11, 1918 – October 8, 2010
Zodiac / Chinese zodiac
Aquarius / Horse (午)
Origin
Omori, Tokyo, Japan
Blood type
Private
Height
Private
Agency
Private
Active years
Unknown
Occupation
Actor

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
Rikkyo University
Debut
Unknown

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

7. About this entry

Tags

  • From Tokyo
  • Actor
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.