
Photo: Unknown authorUnknown author / CC0 (source: Wikimedia Commons)
My Take
What grips me about Suzanne Valadon is the reversal at the heart of her life. She began as the gaze's object, a model on Montmartre canvases, then seized the brush and became the one who looks. Becoming the first woman admitted to the Societe Nationale des Beaux-Arts in 1894 was no small act of defiance against her era's ceilings. People remember her as Utrillo's mother, but I admire her on her own terms: a self-taught woman who spent nearly forty years insisting that her vision of the world deserved a frame. Her unflinching nudes still feel quietly radical to me.
1. Profile
- Name (English)
- Suzanne Valadon
- Name (Japanese)
- シュザンヌ・ヴァラドン
- Reading
- しゅざんぬ・ゔぁらどん
- Born
- September 23, 1865 – April 7, 1938
- Zodiac / Chinese zodiac
- Libra / Ox
- Origin
- Bessines-sur-Gartempe, Haute-Vienne, France
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- painter / art model / model / draftsperson / printmaker
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Private
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
5. Works & records
| Category | Title | Role | Year |
|---|---|---|---|
| Notable work | Casting the Net | — | |
| Notable work | The Blue Room | — |
6. Links
Frequently asked questions
When was Suzanne Valadon born?
September 23, 1865 – April 7, 1938.
Where is Suzanne Valadon from?
Suzanne Valadon is from Bessines-sur-Gartempe, Haute-Vienne, France.
What does Suzanne Valadon do?
Suzanne Valadon works as painter, art model, model, draftsperson, printmaker.
What is Suzanne Valadon known for?
Notable works include Casting the Net, The Blue Room.
Painter — see all → · Art model — see all → · More people from France →
7. About this entry
Tags
- Last updated
- 2026-06-21
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.