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Anton Webern

アントン・ヴェーベルン / あんとん・ゔぇーべるん

American classical composer

December 3, 1883 – September 15, 1945 ・ Vienna, Austria

  • classical composer
  • conductor
  • musician

My Take

I genuinely think Webern is one of the most misunderstood geniuses in all of Western music — people hear "twelve-tone" and brace for cold, academic noise, but his work is the opposite: it's almost painfully delicate, like music pared down to its very bones. A student of Schoenberg and close friend of Berg, he pushed serialism further than either of them, writing pieces that last under a minute yet feel complete, even devastating. The Five Pieces for Orchestra, Op. 10 is maybe four minutes of music total, and it hits harder than most hour-long symphonies. Tragically shot dead by an American soldier in the final chaos of World War II, he never saw how massively he'd influence the postwar avant-garde. Boulez, Stockhausen, Nono — they all owe him everything.

Overview

Anton Webern (German: [ˈantoːn ˈveːbɐn] ; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist whose modernist music was among the most radical of its milieu in its lyrical, poetic concision and use of then novel atonal and twelve-tone techniques.

1. Profile

Name (English)
Anton Webern
Name (Japanese)
アントン・ヴェーベルン
Reading
あんとん・ゔぇーべるん
Born
December 3, 1883 – September 15, 1945
Zodiac / Chinese zodiac
Sagittarius / Goat
Origin
Vienna, Austria
Blood type
Private
Height
Private
Agency
Private
Occupation
classical composer / conductor / musician / composer / music arranger

2. Background

Elementary school
Private
Junior high
Private
High school
Private
University
University of Vienna

3. Relationships

Spouse
Private
Children
Private
Parents
Private
Siblings
Private

4. Personality

Motto

Private

7. About this entry

Tags

  • classical composer
  • conductor
  • musician
Last updated
2026-06-02

Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.