
Photo: WOMEX / CC BY 2.0 (source: Wikimedia Commons)
My Take
Masekela is one of those rare artists where the music and the man are inseparable. I'm drawn less to the technical brilliance of his horn and more to what he chose to point it at: he turned a flugelhorn into an instrument of conscience, scoring the anti-apartheid struggle with songs that outlived the regime they opposed. There's something deeply moving about a boy from a Witbank mining town becoming the father of South African jazz. Even years after his death, his sound feels less like nostalgia and more like a standing invitation to refuse injustice. I respect him enormously.
Overview
Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for writing well-known anti-apartheid songs such as "Soweto Blues" and "Bring Him Back Home".
Summary adapted from Wikipedia, licensed under CC BY-SA 4.0.
1. Profile
- Name (English)
- Hugh Masekela
- Name (Japanese)
- ヒュー・マセケラ
- Reading
- ひゅー・ませけら
- Born
- April 4, 1939 – January 23, 2018
- Zodiac / Chinese zodiac
- Aries / Rabbit
- Origin
- Witbank, Mpumalanga, South Africa
- Blood type
- Private
- Height
- Private
- Agency
- Private
- Occupation
- trumpeter / composer / jazz musician / recording artist
2. Background
- Elementary school
- Private
- Junior high
- Private
- High school
- Private
- University
- Private
Awards & achievements
- 2011 Etnosur award
- 2005 Channel O Music Video Awards
- 2007 Ghana Music Awards
- 2010 Order of Ikhamanga in Gold
3. Relationships
- Spouse
- Private
- Children
- Private
- Parents
- Private
- Siblings
- Private
4. Personality
Motto
Private
6. Links
Trumpeter — see all → · Composer — see all → · More people from South Africa →
7. About this entry
Tags
- Last updated
- 2026-06-02
Facts are limited to publicly available information up to 2024; non-public items are marked "Private / Unknown". English text is machine-assisted (facts translated by Sonnet, "My Take" written by Opus 4.8). The Japanese page is the source of record.